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Cold War

  by Tom Clancy

(about 395 pages)
total words
of all the books in our library
of all the books in our library
passive voice
of all the books in our library
all adverbs
of all the books in our library
of all the books in our library
of all the books in our library

clippings from this book

We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.

Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:

once it was over they’d gone their different ways. Again, more or less. Nimec wasn’t denying he’d felt an attraction to Annie at the time—who wouldn’t, after all? but he’d known there had been no sense pursuing anything even if she were the least bit interested in him. Which was itself an unrealistic thought. She’d been widowed only a year or so before. Lost her husband to cancer. She wasn’t ready. Also, he had his responsibilities in San Jose, and Annie had her own at NASA’s Houston space center. Texas. Things wouldn’t have worked out long-distance. Yes, he’d phoned her a few times, just to see how she was doing. And sure, they’d talked about getting together in indefinite terms, the way people often did. But nothing firm was ever discussed. The last time they’d spoken was last October or thereabouts, and it was true she’d mentioned that he was welcome to visit if he had any time off around the holidays, stay in a spare bedroom at her place, but he’d considered it one of those polite gestures rather than a serious invitation. And say he had made the blunder of taking her offer at face value? It would have been asinine. An awful imposition. He’d meant to get back to her anyway, but those weeks before Thanksgiving had turned into hell. Pure hell. With Gord in danger everything else had fallen by the wayside. And there had been so much catching up to do since… Annie had cliffs in wild sprays of gray-white wings. Above their Bellany Island rock colonies a moist, restless warm front from New Zealand had bumped against the outer bounds of an Antarctic air mass. Cold and dry, heavy as the breath of a slumbering frost giant, it presented a resistant barrier. In collision, the two fronts took on a clockwise rotation, generating great eddies of wind around a central area of low pressure. Rising above the dense mass of cold air, the buoyant warm flow pulled its moisture higher into the atmosphere to be cooled and condensed into radiating bands of clouds. As the fronts continued to spin in conflict, their winds gained speed and intensity, sucking up more water vapor from the low-pressure trough, pushing the clouds further toward its edges, evolving into a potent cyclonic cell that whirled southward across the Antarctic Circle, racing over archipelagoes, open sea, and pack ice toward the continental landmass. A storm was coming. Streaming from their bleak slopes, the rousted seabirds were first to know its aggressive force. Soon many others would as well. South Victoria Land, Antarctica (Approx: 74°50’ S, 164°00’ E) They tramped over the snow berm ferrying a pair of cargo-laden banana sleds toward the first of their widely separated destinations. The team consisted of ten men. Their parkas, wind pants, and duffels were white. White too were the ski bags they carried over their shoulders on padded nylon web slings, their lightweight fiberglass sleds, and the canvas tarpaulins

emotional story arc

Click anywhere on the chart to see the most significant emotional words — both positive & negative — from the corresponding section of the text…
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 1976.86 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section.

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