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Battle Ready

  by Tom Clancy

(about 638 pages)
total words
of all the books in our library
of all the books in our library
passive voice
of all the books in our library
all adverbs
of all the books in our library
of all the books in our library
of all the books in our library

clippings from this book

We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.

Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:

didn’t want to give an answer. But as we were leaving, they said, “You must always know we are your friends.” After we walked out, Cohen said, “Did we get an answer?” “Yes, we did,” I said. “We can do it.” “I didn’t hear that.” “Yes, in the end when they told you they’d always be our friends, that was their answer. That meant they were telling you to go ahead and do it. Don’t make an issue of it.” In another country, we were told, “Please, don’t ask us to do this.” This really meant: “Do what you’ve gotta do. No one’s going to interfere. But don’t ask us the question that we don’t want to answer, either way.” Americans are of course always looking for the hard-and-fast no-yes. In many other cultures, such as the Israelis’, people are frank, blunt, and to the point; and they see anything less than that as a sign of less than full friendship. With good friends, you should be that honest and open. You’re only polite to people you’re not close to or don’t like. Each culture ticks differently. It isn’t that the basic values are different, it’s that there are cultural subtleties and cultural sensitivities that you really need to understand. Early in 1997, General Peay was approaching the end of his tour as CINC. Though it was customary to alternate the job between Army and Marines, Zinni did not expect to be offered the job. No one ever before had it. Food was plentiful in the delta region, where fat white grubs could be cut out of the mangrove trees and large iguana-like lizards were easy delicacies to come by. In the jungle, food was more difficult to acquire unless you knew what to look for and were patient enough to forage or hunt for such delights as monkeys, snakes, bamboo shoots, or breadfruit. In the northern mountains, food could be scarce, especially in the dry season, and bitter greens, dried fish, and a little rice could be all you ate in a day. There were two seasons in Vietnam: wet, and dry. Each was extreme. During monsoon season everything was drenched by afternoon deluges and the constant damp made it hard to dry out. In the dry season, the heat was intense and unrelenting, even at night. The killer heat made field operations difficult. For Americans like Zinni, it took a while to acclimatize and learn how to survive. South Vietnam was divided for the war into four Corps Tactical Zones (CTZS), the Rung Sat Special Zone (RSSZ), and the Capital Military District (CMD). During his tour of duty in 1967, Zinni experienced what amounted to five very different wars. He served with the Vietnamese Marines in the mangrove swamps and river complexes of the RSSZ; the water world of endless rice paddies, canals, and rivers of the Mekong Delta (IV CTZ); the dense, steamy jungles near the Cambodian border (III CTZ); the broad coastal plain and high mountains

emotional story arc

Click anywhere on the chart to see the most significant emotional words — both positive & negative — from the corresponding section of the text…
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 3187.68 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section.

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