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Intellectuals and Race

  by Thomas Sowell


(about 202 pages)
50,624
total words
of all the books in our library
26.98%
vividness
of all the books in our library
5.97%
passive voice
of all the books in our library
3.16%
all adverbs
of all the books in our library
1.40%
ly-adverbs
of all the books in our library
1.76%
non-ly-adverbs
of all the books in our library

clippings from this book

We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.

Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:

MOST PASSIVE PAGE
MOST VIVID PAGE
from a cosmic perspective— to be born into circumstances that make it more likely that one will commit crimes and be imprisoned, with negative consequences for the rest of one’s life. If some personified Fate had decreed this, then that would be the perpetrator of the injustice. But, if this is just part of the way the world has evolved, then it is a cosmic injustice— if something as impersonal as the cosmos can be considered capable of being unjust. As noted in Chapter 4, a cosmic injustice is not a social injustice, and proceeding as if society has both the omniscience and the omnipotence to “solve” the “problem” risks anti-social justice, in which others are jeopardized or sacrificed, in hopes of putting some particular segment of the population where they would be “but for” being born into adverse circumstances that they did not choose. It is certainly no benefit to blacks in general to take a sympathetic view of those blacks who commit crimes, since most of the crimes committed by blacksespecially murderare committed against other blacks. Whatever the injustices of society that might be blamed as “root causes” of crime, the black victims of crime are not responsible for those injustices. Here, especially, “social justice” in theory becomes anti-social justice in practice, sacrificing innocent people’s well-being— or even their lives— because some other individuals are considered not to have been born into circumstances that would have given them as good a chance as others have had creating big trouble for others, while enjoying themselves in doing so. An all too common pattern across the country was that in an episode in Milwaukee: Shaina Perry remembers the punch to her face, blood streaming from a cut over her eye, her backpack with her asthma inhaler, debit card and cellphone stolen, and then the laughter… “They just said, ‘Oh, white girl bleeds a lot,’” said Perry, 22, who was attacked at Kilbourn Reservoir Park over the Fourth of July weekend… Milwaukee Police Chief Edward Flynn noted Tuesday that crime is colorblind… “I saw some of my friends on the ground getting beat pretty severely.” Perry needed three stitches to close a cut above her eye. She said she saw a friend getting kicked and when she walked up to ask what was happening, a man punched her in the face. “I heard laughing as they were beating everybody up. They were eating chips like it was a picnic,” said Perry, a restaurant cashier… Most of the 11 people who told the Journal Sentinel they were attacked or witnessed the attacks on their friends said that police did not take their complaints seriously… “About 20 of us stayed to give statements and make sure everyone was accounted for. The police wouldn’t listen to us, they wouldn’t take our names or statements. They told us to leave. It was completely infuriating.” Variations on such episodes of unprovoked violence by young black gangs against white people on beaches, in shopping malls

emotional story arc

Click anywhere on the chart to see the most significant emotional words — both positive & negative — from the corresponding section of the text…
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 1012.48 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section.

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