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True Faith and Allegiance

  by Mark Greaney

(about 723 pages)
total words
of all the books in our library
of all the books in our library
passive voice
of all the books in our library
all adverbs
of all the books in our library
of all the books in our library
of all the books in our library

clippings from this book

We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.

Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:

the Romanians, to warn them to be careful with the data. Sure, if Dalca had incriminated himself they would have upped their measures, but he’d given them nothing but assurances, so they would just threaten a bit more and leave. They might not be convinced the ISIS intel had not come from ARTD, but they would have no evidence to support the possibility. Dalca pressed his luck. “If I might make a suggestion: The raw files are housed on a single air-gapped computer. As per your original request, there are no copies, and the files have not been uploaded so that they can be pulled by multiple machines. The machine holding the data is here in the building. Once the data was uploaded onto the computer, it was erased from the transferring machine, and that hard drive was destroyed off-site so there would be no evidence of it. The machine holding the records has had all its external ports physically disabled. There is no way to upload or download to the machine. You can’t even print off records. “If it would make you more comfortable, you can take the material with you, keep it safe, until all this in America blows over. Obviously it will mean the end of the work we do for the time being, but you would be sure that the data was not being misused.” Dragomir Vasilescu was confused by the odd suggestion by Dalca, but in truth it was an empty suggestion. These guys didn’t make authentic Italian dishes from scratch, while his twin brother, Brian, rarely assembled anything more sophisticated than a bologna sandwich with mayonnaise and American cheese. Dom had gotten away from the kitchen when he was in the FBI, and during his first couple of years in The Campus he was on the go all the time and had no one to cook for anyway, but now, as a single male in his thirties, he relished the opportunity to prepare meals for company. Especially attractive female company. Tonight the entrée was eggplant parmigiana; his dish was in its last stages now as he browned the cheese in the broiler. And to offset this vegetarian entrée, he’d prepared an impressive-looking charcuterie platter that now took up half a shelf in his refrigerator. The Fontanella Mt. Veeder chardonnay was chilled and waiting in the ice bucket on the small table just inside the door of his balcony, which provided a nice view of D.C.’s Logan Circle below without the warm air and street noise he would have had to deal with if he actually set up the table on the balcony. The doorbell to his condo chimed at seven sharp, and Dom pulled off the towel tucked into his belt that he’d been using as an apron, checked the eggplant in the oven quickly, and then went to answer. Adara Sherman stood at the door. She wore a simple black dress, wedge heels, and stylish glasses. Her blond hair was shoulder

emotional story arc

Click anywhere on the chart to see the most significant emotional words — both positive & negative — from the corresponding section of the text…
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 3614.22 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section.

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