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True Colours

  by Kristin Hannah

(about 497 pages)
total words
of all the books in our library
of all the books in our library
passive voice
of all the books in our library
all adverbs
of all the books in our library
of all the books in our library
of all the books in our library

clippings from this book

We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.

Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:

That’s your plan?” “That’s the way it is, Win. If you’d bothered to ask Vivi Ann, she could have told you what would happen. We’ve been here before, remember?” “I don’t believe it. I don’t accept it. You’re wrong.” “Later,” he said softly, “when you’ve figured this whole thing out, do me a favor, okay?” “What?” “Tell Noah I did it. Otherwise he’ll drag me around in his head. He doesn’t need that.” “I will not. I won’t.” He nodded, said, “Thanks, Win. I mean it. If it was redemption you needed, you’ve earned it. Now go home and take care of my family.” Then he left the room. She stared after him, feeling a hot, impotent rage bubbling up. “He’s wrong,” she said to the guard, who didn’t respond at all. “I didn’t go through all of this to have it mean nothing.” She left the prison and went to her car, muttering. “He’s a cynic. Of course he thinks the worst, with what he’s been through.” Already she was figuring how to prove what good news this was. Noah would be thrilled. She’d concentrate on that: the good. Optimism was always a choice, and her will would not fail her now when she needed it so much. She was halfway home when her cell phone rang. It was Lisa, calling to tell her that the prosecuting attorney had just called to say that she’d seen the DNA results and was willing to concede that Dallas had not had and March, rain pelted Oyster Shores. Mud oozed up through the pastures where the horses stood and pooled in brown bogs. Silver streams formed overnight, rushing in gullies on either side of the driveway. The poor purple crocuses that dared to peek up from the mud were soon pounded down by the rain. The weather matched Winona’s mood. Not perfectly, of course. A precise reflection of her emotions would have been a bank of swollen charcoal clouds gathering for a coming storm, but still it was a mirror. So much so that in April, when the sky caught its breath for a few moments and the pale, watery sun came out from its hiding place, she found herself missing the rain. The golden sun pissed her off. The beautiful plum trees on Viewcrest burst into bloom, and all throughout her garden she saw signs of new life. The velvet-green start of tulips, the first lime-green buds on the tree branches, a row of butter-yellow daffodils. It was a daily reminder that the seasons were changing, that the steel-gray winter was giving way to a bright and shiny spring. Usually Winona loved this season of flowers, when pink blossoms floated through her yard like cotton candy bits, layering the ground, but this year time was not her friend. This year time was measured by the days Vivi Ann spent with Luke. They had been together for almost three months now, and sometimes, when Winona lay in her lonely bed at night

emotional story arc

Click anywhere on the chart to see the most significant emotional words — both positive & negative — from the corresponding section of the text…
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 2487.34 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section.

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