(about 401 pages)
100,305
total words
of all the books in our library
|
59.99%
vividness
of all the books in our library
|
7.79%
passive voice
of all the books in our library
|
2.87%
all adverbs
of all the books in our library
|
0.99%
ly-adverbs
of all the books in our library
|
1.88%
non-ly-adverbs
of all the books in our library
|
We’ve analyzed hundreds of millions of words, from thousands of different authors, training our linguistic models to recognize the most vivid words in the English language… the words that create the most intense sensory experiences: colors, textures, sounds, flavors, and aromas.
Based on our analysis, we’ve scanned through the pages of this book to find the two pages at the extremes, both the most-passive and the most-vivid pages, so that you can compare them side-by-side and see the difference:
MOST PASSIVE PAGE |
MOST VIVID PAGE |
sangria to calm myself. “That’s the rumor, Post. Don’t know what was destroyed in the fire and don’t know what was removed by Kenny Taft. Just rumors. There was a missing flashlight, as I recall. I’ve read your post-conviction petition, saw where you lost last week, and anyway the flashlight was presumed to have been destroyed. Right, Post?” “That’s right.” “Maybe it wasn’t destroyed.” “That’s interesting,” I manage to say with calmness. “Does the rumor cover the part that reveals what Kenny did with the boxes of evidence?” “No, it doesn’t. But interestingly enough, the rumor says that during his funeral service, which was fit for a five-star general, Pfitzner had two of his men go through Kenny’s house inch by inch looking for the boxes. They have never been found, according to the rumor.” “But you have a hunch, right?” “No, but I’m working on it, Post. I have lots of sources, old and new, and I’m on the prowl. Just thought you’d like to know.” “And you’re not worried?” I ask. “Worried about what?” “Worried that you might discover something that has been well hidden. Quincy Miller didn’t kill Keith Russo. The murder was ordered by a drug gang with Pfitzner’s blessing and cover-up. The gang is still around and ten days ago they tried to kill Quincy in prison. They don’t like our way of digging up the past, and they won’t like yours either.” He laughs and says, “I’m too old to worry, Post. Plus, I’m | a tree on the other side. If not for the crocs, it might have been a fun summertime swimming hole with a zip line. If not for the crocs. My head was pounding and my heart was about to explode. They picked up a burlap sack filled with bloody chickens and hitched it to the zip line, then released it. As it swung down to the water it dripped blood, and this really excited the crocodiles. When the sack stopped over the center of the pond, one of the guards pulled a cord and the dead chickens dropped in a heap on top of the crocs. They must have been starving because they went crazy. “With the appetizer served, it was time for the entrée. They grabbed the first skinny Latino boy and hitched his wrists to the zip line. He screamed as they kicked him off the tower and screamed even louder as he flew across the pond. When he stopped in the center, his toes were about ten feet above the crocs. The poor boy was crying and screaming. It was awful, just awful. Slowly, a guard turned a crank and down he went. He kicked frantically, as you can imagine. He kicked and screamed for his life but soon his feet were in the water, and the crocs began ripping apart his flesh and bones. The guard kept turning the crank, the boy went farther down. I watched a human being eaten alive.” He takes a drink |
This chart visualizes the the shifting emotional balance for the arc of this story, based on the emotional strength of the words in the prose, using techniques pioneered by the UVM Computational Story Lab. | To create this story arc, we divided the complete manuscript text into 50 equal-sized chunks, each with 2006.10 words, and then we scored each section by counting the number of strongly-emotional words, both positive and negative. | The bars in the chart move downward whenever there’s conflict and sadness, and they move upward when conflicts are resolved, or when the characters are happy and content. The size of each bar represents the positive or negative word-count of that section. |